While many folks have articulated excellent arguments against PIPA and SOPA, these arguments almost exclusively focus on problems with the potential new powers of rightsholders. Here, however, John addresses one of the older (and more problematic) areas of current copyright law, the doctrine of fair use.

Dear Senators Wyden and Merkley & Congressman Blumenhauer:

I urge you to vote against any copyright-related bill that strengthens copyright law, including S. 968 (Protect IP Act or PIPA) and H.R. 3261 (Stop Online Piracy Act or SOPA), unless the bill also includes language to clarify and protect the doctrine of fair use.

While much attention has been focused on the challenges of digital piracy, which is indeed a problem worthy of discussion, copyright laws already strongly favor rightsholders and PIPA and SOPA will unnecessarily grant these rightsholders even more power. Although the concept of fair use is meant to protect free speech in the face of strong copyright protections, in practice it is a convoluted doctrine that is difficult (and expensive) to apply to the real-world.

Under our Constitution, copyright law must “promote the progress of science and useful arts.”1 It does so by granting to authors a limited monopoly on exploitation of copyrightable works. But as such a monopoly sits in tension with the free speech protections of the First Amendment, our courts created the doctrine of fair use to better balance these important Constitutional rights. While Congress eventually codified this doctrine, the language it used makes impossible the practical application of fair use.

Chief Judge of the United States Court of Appeals for the Ninth Circuit Alex Kozinski said that fair use is “a multi-factor test in which the factors are not clearly defined or weighted….”2 As such, it provides no direction nor certainty to copyright owners or to prospective users of copyrighted content. The end result, as copyright scholar Professor Lawrence Lessig has pointed out, is that “[f]air use means years of litigation. It’s nothing more than the right to hire a lawyer.”3 This same sentiment led Chief Judge Kozinski to declare that “when it comes to derivative works, fair-use doctrine is a red herring and we should just dump it.”4

With fair use so broken, any expansion of copyright law will only further unbalance the constitutional tension between the Copyright Clause and the First Amendment. As such, I urge you to require clarification and protection of fair use as a precondition to any congressional expansion of copyright law.

Sincerely,

John E. Grant, III

1:U.S. Constitution, Art. 1 Sec. 8.
2:Kozinski, Alex, What’s so Fair about Fair Use?, J. Copyr. Soc. of the USA, v. 46 no. 4, 514 (1999).
3:Jarvis, Jeff, PDF: Free the Debates, 5/18/2007 available at http://www.buzzmachine.com/2007/05/18/pdf-free-the-debates/
4:Kozinski at 515.

Our firm has changed its name to Meltzer Grant LLC.

I’ve consistently warned website owners to be extremely careful with regards to content supplied by their web designers and developers. A recent ruling from a federal court in Ohio recently underscored that point by holding a website owner liable for infringement by its web designer.

In Corbis v. Starr, the court issued a summary judgment order finding that the defendant, who ran a janitorial maintenance service called Master Maintenance, could be held accountable for the unlicensed use of four Corbis photographs on its website.  Read the rest of this entry »

I’ve long advised my clients that one of the smartest things they can do to protect their work, after registering it with the U.S. Copyright Office, is to embed Copyright Management Information–especially proper copyright notice–into the metadata of any digital files of the work.

Metadata is an incredibly powerful tool for copyright holders in this digital age for loads of reasons, including: Read the rest of this entry »

An interesting decision came down last week from the Supreme Court of Indiana regarding the question of who owns the copyright in a custom-built website: the web developer or the company for whom the website was built? The end result: well, that isn’t actually important to the moral to this story, but read on to see what happened and why a little upfront legal work would have made a huge difference for everyone involved (everyone but the lawyers that is). Read the rest of this entry »

As I discussed in a previous post, the fair use doctrine provides an important check on the monopoly granted to copyright holders under copyright law. While copyright is a vitally important tool for content creators to protect their intellectual property, fair use has an equally important role in protecting “the progress of science and the useful arts” as mandated by the Constitution.

One place where fair use plays a significant but controversial role is in the field of appropriation art—taking someone else’s work and re-imagining it into a new piece. I’ve been really enjoying a few different examples of appropriation art lately, so one of the main reasons I thought I’d write a blog post on this topic is to share them. Read the rest of this entry »

Update: The case below was overturned on appeal–see this post for my analysis.

I get a lot of fair use questions, and I have a hard time explaining the concept in anything less than a 45 minute conversation. I find it to be a fascinating concept: in the often black and white world of copyright infringement, fair use is a gray fog that both obscures the traditional boundaries of copyright and reveals contours that aren’t otherwise apparent.

There are some basic rules of thumb: I often tell my clients that they should think about whether their use of a particular work (without permission) is merely substituting someone else’s creative expression for their own. Read the rest of this entry »

Variety reported this week that a federal judge has dismissed a copyright infringement claim brought against the producers of the 2006 Warner Brothers film We Are Marshall by the makers of a 2000 documentary called Ashes to Glory, the Tragedy and Triumph of Marshall Football.

For those who have attended my seminars or read my previous articles, this is a classic example of the concept that facts themselves cannot gain copyright protection, particularly when presented in mere chronological order. Read the rest of this entry »

According to copyright law, you are a creative artist.

For some of you, this isn’t news—you may already think of yourself as an artist of some sort, maybe a copywriter, a photographer, or a graphic designer. Some of you even make a living from your work. But copyright law doesn’t care; it treats the crayon scribblings of my 2-year old exactly the same as the latest David Hockney painting. If you write a blog, sketch on a napkin, take a vacation snapshot, or author some software code then you’re covered under the law. Read the rest of this entry »

From the earliest days of the internet, online technology has allowed users to access and distribute copyrighted content with seemingly reckless abandon. In recent years, however, high-profile copyright holders like major record labels and TV studios have harnessed technology to detect—and demand payment for—online infringements of their works. Now, as wider adoption of online detection tools drives down the costs of discovering infringement, many more companies and individuals are turning to such tools to protect their copyrights. Read the rest of this entry »

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